Thursday, June 4, 2009

GrandMaster Flash & The Furious 5

Those that know me know that im a big fan of the original recorded Hip Hop,and that my favorite group from the first recorded era of rap (1979 - 1982) is Grandmaster Flash & the Furious 5. Even though these cats are house hold names , not many people really know who did what in the group , or much of their discography, outside of The Message , Whitelines and maybe Freedom. Ever since I have been on the web (for about 11 years now) , I have tried to educate people about what I call the Original school of Hip Hop , specifically GMF & The F5.

Well first let's clear up some commonly misunderstood points. Grandmaster Flash was the Dj. He never rapped. People thank Flash for making the Message, because it changed thier lives and the face of rap. The Message did just that , but the only member of the group to actually perform on the song was Melle Mel. The Message is the song that actually destroyed the group. But let's go back. GMF & The F5 are : Grandmaster Flash - DJ , Melle Mel - MC , Scorpio aka Mr.Ness - MC , Kidd Creole - MC , Keith Cowboy (r.i.p)- MC and Rahiem - MC. Rahiem is actually a very good singer , who made legitimate and official r&b songs with the group and solo.

On the recordings (Sugar Hill label 1980 - 1983), Flash didn't scratch or perform until 1981s "Adventures On The Wheels Of Steel". He also co - produced "Flash To The Beat". But on Freedom , Birthday Party , Show Down , It's Nasty , The Message , The Message II Survival , White Lines etc. Flash didn't perform. Many times he wasn't even in the studio for the recordings. Flash shined on tour and in concert , but the musical back drop for those recordings was the Sugar Hill Band (Doug Wimbish , Keith Leblanc , Bernard Alexander , Ed Fletcher aka Duke Bootee). Flash also scratched on "It's A Shame" from the Message lp. The voices on the recordings were the Furious 5!

The Message had been floating around Sugarhill records for some time. In fact it was a demo that the writer Ed Fletcher aka Duke Bootee created in his mothers New Jersey basement. It had a drum track , and was more spoken word like a Last Poets song. Sylvia Robinson (Sugar Hill records founder) tried to give the track to the Sugar Hill Gang , but they didnt want it. No one did. The Furious 5 hated the track. After several months Sylvia convinced Melle Mel to do the track. Ed Fletcher wrote the hook and all the verses except the last one (a child is born). Sylvia , upon hearing Melle Mel and Ed Fletcher recording the song, suggested that Mel use his last verse from a song called "Super Rappin'" , that the group had recorded for Enjoy Records in 1979. Mel added that last verse and Hip Hop and history were changed. The Furious 5 only performed the arrest skit at the end of the song.

The Message changed the game. It is still revered as the most important rap song ever,and it's hard to argue with that claim. It's in the library of congress along with recordings of Thomas Edison and the first men to land on the moon. It was the perfect record , and told first hand the plight of the Black man in America in 1982. The last verse is eerily prophetic. This record made lots of money , but the Furious 5 did not. Claims were made , law suits filed and the group split a year after the Message. Flash , Kidd Creole and Rahiem left Sugar Hill for Elektra and Melle Mel , Scorpio and Cowboy stayed at Sugarhill. Both factions picked up extra members , but it wasn't the same.

The group has reunited and recorded throughout the years,but that original magic was never rekindled. Regardless GMF & The Furious 5 set the template. The game is prosperous today because of the bricks that they laid 30 years ago. I have embedded a player below with some of thier hits , and some of thier lesser known gems. Listen to the multi part harmonies , the cadence , the splitting of words and trading off. Listen to Rahiems falsetto , Scorps harmonizing , Mels superior word play , Cowboys cadence and Creoles delivery. This is the soundtrack to my youth. Only Earth , Wind & Fire defines my childhood years as profoundly. People throw the word Hip Hop around an awful lot these days. This is what Hip Hop sounds like..... Enjoy...













Tuesday, March 17, 2009

THE BANDWAGON

I got a lotta shit to say , but until I promote this blog properly,and get some traffic I will prolly post once a week - Monday or Tuesday. Everybody hopped on the rap bandwagon not too long after Rappers Delight. I mean even Rodney Dangerfield and Mel Brooks had rap records! Teena Marie and Stevie Wonder dabbled with the mic device in the early 80s as well,but 2 joints by R&B legends never got air play.

Both of these jams dropped right after Rappers Delight. The first one is by the legendary Johnny Guitar Watson , and it's called Telephone Bill. He flows damn well for a singer/guitarist. He has a real smoove conversational style , and even rocks some multi syllabllic shit on here. Good shit from 1980.

The second one is by the great Mr Marvin Gaye. Again - I miss this cat......however he had this song called Ego Trippin' that Motown released as a 12" in 1979 , but it was pulled due to lack of sales. This one isnt as funky as Johnny's , but it is Marvin Gaye rappin' in 1979. Also these streams dont start automatically you have to click the play button....Peace...




Monday, March 9, 2009

OBSCURE MOTOWN FUNK

This may not be that obscure,but I didn't miss much back in the days. I missed this one. A few years ago I was hunting for vinyl and I came across this lp on the Motown label by a group called Ozone. I already had one of thier previous lps,and nothing stood out as great on it (I'll have to go back and listen now). But this one called "Send It" had Teena Marie as a producer on one whole side of the album. I copped it for 3 dollars. Good funk on here. The gem is Gigolette. It starts with Teena Marie's trademark weeeeeeeeee that she did on the begining of "Square Biz". It's a ride from there on out,with Teena doing ad libs and backgrounds throughout - especially at the end. Heavy on the bass - it puts me in the mind of a Dazz Band , Aurra or Slave track.....well maybe not as dope as Slave , but the bass is funky. peep below...


Sunday, March 8, 2009

SMOKEY ROBINSON UNDERRATED JOINT

In 1980 my mom was playing this slow joint called "Let Me Be The Clock". I knew it was Smokey even at 10 years old - this cat has one of the most recognizable voices in music. I have never heard this song on the radio , or really anywhere else except when I play the lp (my moms original joint that I helped myself to). The lp was called "Warm Thoughts" , and Smokey is in pimp mode on the cover. Who else is down with this joint?...it's not even available on cd.


CLAMS ON THE HALF SHELL & ROLLERSKATES - THE 80s

As a kid in the late 70's and early 80's we had some real shit to listen to. On the R&B front you had some summer anthems, that dealt with the "get away theme". I didn't understand as a 9 or 10 year old what this fascination with getting away was. What were these cats and chicks tryin' to get away from?

In retrospect, as a grown man I can appreciate what Chic was talking about when they welcomed the "Good Times". "Clams on the half shell and roller skates"...man the 70s & 80s were so special to me, that when I hear some of the great music from that era I can almost smell the incense burning in the record stores back then.

......In fact who remembers the fruity smells from the urban mom & pops record stores back in the days.(Pete Rock does).... And they always had weed paraphenalia to sell. EZ Wider rolling papers (where my old school heads?), bongs you name it. The 80s was a care free era.....

So back to the music.....now that I feel the perils of being an adult, I feel what T.S. Monk was sayin on Bon Vie. I see why when people said "Thank God It's Friday" Ma would agree whole heartidly. Yep, I can finally appreciate what Johnny Kemp meant when he "Just Got Paid" and the Ojays when they were "Livin' For The Weekend".

No fake thugs , no auto tune & no glamorization of guns and violence. Just that good shit!! Enjoy some less obscure joints than Chics "Good Times" below....... Same message on these joints - just didn't blow up quite as big. I can smell the summer air when I listen to these joints.....BRING THE MUSIC BACK......